Spring 2018 sees Raven’s Wand published as a deck of oracle cards, lavishly illustrated with characters from the book and with exclusively written meanings. Today – a closer look at ‘Relics’
If you could have sailed around Britain’s coast two centuries ago, there’s a chance you’d have seen large, flightless, black & white seabirds known as Great Auks. They effectively lived an identical lifestyle to penguins, but by 1844 (according to records) the last one was clubbed to death and eaten. This crime was committed in Iceland – but wait, there is a challenge for the killing of the last Great Auk from the nearby Faroe Islands. Think about it – what kind of accolade is genocide? What person or nation would argue that credit for a certain genocide belongs to them? And here I’m not singling out Iceland or The Faroes, all nations have exterminated one spices or another, and often, many species. The true madness of this is its banality: a species was exterminated – so what – it happens – next. The same sort of thing happened to Britain’s wolves, with the last one being killed in the 17th century according to most sources. ‘Relics’ was drawn with these facts in mind. Look closely and you’ll see not just flesh and blood wolves, but wolves hidden amongst the rocks and trees. Witches hid them there to save the last of them, and to me this is what witchcraft is truly about – respect for living things. I say ‘to me’ because there are many interpretations of what witchcraft is, but one thing’s for sure – it wasn’t a witch that battered that lone Great Auk to death in 1844, but hey – so what – it happens – next.
Fairies don’t see the world as we do, at least not those fairies that dwell in The Dark Raven Chronicles. When frost-fairy Neet, meets witch Sunday Flowers for the first time, he’s entranced by her soul sign. This mystical representation of the soul takes the form of a tree, and floats above the crown of the head. Some of the branches might be bare, while others are in bud, or laden with fruit or flowers, and these branches might sit right beside others that are twisted and diseased. The branches represent all that’s good and bad about a person. Neet can see this, but Sunday, for all her skills as a witch, can’t.
Neet’s seen many soul-signs down the years, and although he understands little of the symbolism he instantly recognises that Sunday’s soul is unique – terrifyingly so. All other trees he’s seen are complete, yet Sunday’s tree has been cut clean through the trunk. Somehow she has defied the first and oldest universal law – she has died, and returned to life.
Flowers of Fate is the second novel in The Dark Raven Chronicles, and aside from being what I hope is an exciting story, it explores deep issues such as freewill versus fate, atonement and self-sacrifice. I look forward to sharing Flowers of Fate with readers later this year.
As I write, it’s coming around to that tedious time of the year again, when millions of innocent squashes will be sacrificed in the name of ‘trick or treat.’
Forget for a moment the galling fact that until the 70’s this tradition was unknown in Britain, (I blame John Carpenter’s film ‘Halloween’ for the spread of this begging bonanza) and put aside the sheer irritation of strange children banging on the door demanding bagfuls of boiled offal laced with E numbers masquerading as ‘sweets’. No. For me the most depressing and infuriating aspect of Halloween is the barefaced hypocrisy.
The issue of race has become something of a minefield, but rather than keeping the enemy of prejudice out and fostering respect, this minefield just creates more tension. Say the wrong word, in all innocence even, and you might find yourself looking for a new job. Prejudice doesn’t go away – it just retreats into the shadows. And yet what do we see in our high street shops in the weeks running up to October 31st each and every year?
I’ll give you a clue – they fall into two distinct types. One has green skin, tombstone teeth, weeping boils, hair dripping with chip fat and a fishhook nose. The other kind is a temptress sitting on a pantomime broom in such a way that her fishnet stockings are showing and the tiny hammock that is her bra is struggling to restrain its load, and chances are she’ll be wearing six-inch stilettos, black and nothing but black.
As a recognised belief-system like any other, it’s an enormous credit to modern day pagans and Wiccans that they tolerate this abuse. As far as I know, witches aren’t famed for murdering their critics or demanding Tescos remove their racist, Halloween propaganda . . . and don’t get me started on ‘Christmas’.
So a big ‘thanks!’ to all those happy-go-lucky pagans and witches out there for shrugging it off with dignity and a smile, we could all learn a lot from you. To quote Homer Simpson – ‘God bless those pagans!’