A Golden Dilemma




A chapter-by-chapter insight into Raven’s Wand. This week – chapter five: A Golden Dilemma

Chapter five has to move the story along like any chapter, but it also has to impart some seriously magical concepts. Krast and the cabinet ministers have to untangle the thorny issue of ‘first-dawn’, and we learn of the Illuminata’s cutting-edge experiments into matter transformation, that witches would recognize as the process of alchemy. Now alchemy is so synonymous with turning lead to gold that I steered away from using the word too much, and instead gave it a more witch-orientated slant. Valonia’s witches understand alchemy as the channeling of the will to affect matter, to change it from one form to another, for example in Kolfinnia’s feat of turning buds into hazelnuts in seconds. Witches believe the opposite of science – that mind creates matter, not the other way around. This is heavy stuff to convey and explain, and at the same time keep it visual. That’s why I added those golden fleas beneath the microscope, and the sinister black box containing human remains. I wanted the first-dawn machine to feel like a presence in the room, and to haunt the rest of the book just as the name ‘first-dawn’ has haunted Valonia most of her life. This machine vandalizes the natural order of the world, and of course witches aren’t going to put up with that. . .

The first signs of the Illuminata’s tampering come when Kolfinnia is confronted by three spectral hounds known as barghests, which are not my inventions but are a genuine part of folklore. Here I was blending established tales with my own storytelling. I made barghests part of Ruination, which is the strange and dark – but not necessarily evil or bad – universe that parallels our own. I explained Ruin in manageable little chunks through the book, so I’ll spare you a lecture here about it, but basically the dragons Hethra and Halla dream life and animation, while Ruination dreams death and decay, and the two are inseparable. I got the name ‘Ruination’ from a walking map of all things. Marked upon it was a place in West Yorkshire called ‘Top Withens’ (popularly associated with the novel Wuthering Heights). Having spent the night at Top Withens alone once and detecting a very sinister vibe from the place, the map label ‘IN RUIN’ beside the name of the dilapidated farmhouse took on a new meaning. It didn’t just mean a collapsed building, but something totally different. IN RUIN became Ruination, to remind myself of that unnerving night I spent there long ago, and it became the perfect name for the realm of death and change. Ruination presented such a writing goldmine that I explored it much deeper (and darker) in the sequel novel, Flowers of Fate. I love the way that characters and places take on their own life and almost demand to be heard. Ruination did just that.


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